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1. #Scary stories to tell in the dark cast pale lady how to#
2. #Scary stories to tell in the dark cast pale lady movie#

There are characters from films that I'm very fond of, characters I grew up with, like Frankenstein, for instance.

#Scary stories to tell in the dark cast pale lady movie#

I don't always experience it with an audience, but when I do, it's very satisfying, but I feel like the process to me is the most satisfying part.Īre there any particular favorite movie monsters or performers that you return to as a source of inspiration with what they've accomplished through their blend of acting and heavy makeup? And often I experience that when I go to a theater. It's always satisfying when you can communicate something to an audience and you make them feel something. I've worked with some of the best artists and technicians in the world. And all the incredible people that I get to work with. And, to me, the process is really rewarding. When I'm actually on set and in front of the camera, I feel like I become this character and I'm inhabiting this world. Obviously there's a lot of waiting around on set and it can be very challenging. I'm really process oriented and I love being on set and I love creating. What are the most rewarding elements of your performances? Is it seeing the film with an audience for the first time or are the joys found in the filmmaking process? We never see your face in many of your projects, so audiences might react to your presence without them ever knowing who is responsible for those characters. Part of what I was going for was to make it not seem like there was actually anyone inside animating it. He's supposed to be this ghost inhabiting this scarecrow. With Harold, for instance, I wanted to make it look like there was nothing inside there. It's good to get all these different takes on it, and you try to come up with something that is true to the character, really. The guys who do the makeup, they have ideas as well. There was also a gentleman named Roberto Campanella, who was the movement coordinator, who works on a lot of Guillermo del Toro films. André had a lot of input into the movement, he had very specific ideas in mind. We did a test and everybody seemed really happy with that, but until you're actually fully in the makeup and you're on set, you don't fully understand the character.

#Scary stories to tell in the dark cast pale lady how to#

Because I'm inside the makeup, I have ideas that I bring about how to do the movement. Mike Hill sculpted and applied the Pale Lady and Norman Cabrera did Harold. These were some of the best people, too, who worked on this.

That's what André and Guillermo wanted, as far as the actual look of the character. The two characters that I played, Harold and the Pale Lady, were very faithful representations of the illustrations from the books.